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Oil Paintings Come From United Kingdom
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John Ruskin
English Romantic Writer and Painter, 1819-1900 English art critic. Born into a wealthy family, Ruskin was largely educated at home. He was a gifted painter, but the best of his talent went into his writing. His multivolume Modern Painters (1843 C 60), planned as a defense of painter J.M.W. Turner, expanded to become a general survey of art. In Turner he saw "truth to nature" in landscape painting, and he went on to find the same truthfulness in Gothic architecture. His other writings include The Seven Lamps of Architecture (1849) and The Stones of Venice (1851 C 53). He was also a defender of the Pre-Raphaelites. In 1869 he was elected Oxford's first Slade professor of fine art; he resigned in 1879 after James McNeill Whistler won a libel suit against him.

 

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John Ruskin Cascade de la Folie Chamonix (mk22) oil painting

Painting ID::  22812

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John Ruskin
Cascade de la Folie Chamonix (mk22)
1849 India ink and watercolor 37.5 x 45.72 cm Birmingham Birmingham Museums and Art Gallery
   
   
     

 

 

John Ruskin Self-Portrait in a Blue Neckcloth oil painting

Painting ID::  27064

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John Ruskin
Self-Portrait in a Blue Neckcloth
mk52 1873 Watercolour on paper 35.3x25.3cm Pierpont Morgan Library,New York
   
   
     

 

 

John Ruskin Self-Portrait oil painting

Painting ID::  28023

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John Ruskin
Self-Portrait
1873 Watercolour 35.3 x 25.3 cm (13 7/8 x 10 in) Pierpont Morgan Library,New York (mk63)
   
   
     

 

 

John Ruskin the pass of faido on the st gotthard oil painting

Painting ID::  68945

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John Ruskin
the pass of faido on the st gotthard
1845 brown ink and watercolour with gouache on brown paper 24.8x34.5cm se
   
   
     

 

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John Ruskin
English Romantic Writer and Painter, 1819-1900 English art critic. Born into a wealthy family, Ruskin was largely educated at home. He was a gifted painter, but the best of his talent went into his writing. His multivolume Modern Painters (1843 C 60), planned as a defense of painter J.M.W. Turner, expanded to become a general survey of art. In Turner he saw "truth to nature" in landscape painting, and he went on to find the same truthfulness in Gothic architecture. His other writings include The Seven Lamps of Architecture (1849) and The Stones of Venice (1851 C 53). He was also a defender of the Pre-Raphaelites. In 1869 he was elected Oxford's first Slade professor of fine art; he resigned in 1879 after James McNeill Whistler won a libel suit against him.